This page will tell you how to use the Robin (Sojourner) Wood T-shirt Template to put your own design on T-shirts for Second Life.

NOTE: In order to use this tutorial you MUST download the "Robin (Sojourner) Wood T-shirt" file. You can find it here. During the course of the tutorial, I refer to layers that I have built into this file, and which you won't find in any other.

The "Templates" provided by the Lindens, Chip Midnight, and my UV Templates aren't really templates at all; they are simply UV Maps.

This shirt is actually a template. The shirt is finished, including the Alpha Channel, so all you need to do is drop your design on the front or back, change the color, and upload. This tutorial explains how to do all of that, and nothing more.

It is not designed to teach you how to build any garment from scratch, although you may reverse-engineer it to figure that out.

This is the first page of instructions. If you needed the second page, it's here.

You should be able to open the file in most graphics programs. (Photoshop, Photoshop Elements, Paint Shop Pro, Painter, The Gimp, etc.)

The instructions are written for Adobe Photoshop (the screenshots are all from PS CS2 on a Mac,) and assume no prior knowledge of Photoshop. (If you already know how to use Photoshop, there are instructions for you here.) I'm sorry, but if you are using another graphics program, you'll have to interpret the instructions for use in your own software. If you are having problems, I recommend that you look in the manual or help files for your program.

If you are comfortable with your program, you can use the less detailed instructions here.

The Layer Palette

When you open the file, you'll see a number of layers. If that confuses you, it's okay. None of us were born knowing about layers! Just click here for a description of what you're looking at. If you are comfortable with layers, then we can start to place your image.

For purposes of this tutorial, I'm going to assume that you have your image already prepared. I'm going to use a picture of my cat, taken with a cell phone. (So you know what kind of quality we're talking about, here.)

Select your image, and copy it

Open the image you want to use, Photoshop will open it in another window. (You can have lots of windows open at the same time.) Tap Command/ctrl A (Hold down Command and tap A if you are using a Macintosh, or hold down ctrl and tap A if you are on a PC.) That selects the entire image. You can tell it's selected because of what are called "marching ants" around the picture. (No joke; that's the actual technical name for them!)

Tap Command/ctrl C to copy the image.

Select the Design Example layer

Click on the window with the T-shirt in it, to make it the active one, and then click the Design Example layer to select it. New layers always are added above the currently selected layer, so doing this determines where our new image will be in the stack.

Paste your image onto the shirt

Tap Command/ctrl V to paste.

Your picture will appear in the middle of the image, on its own layer. Because it's in the middle, it will be under the Cover layer, and partially obscured, but that's okay. We'll reposition it in a moment.

Notice that the new layer, Layer 1, is already selected. (It's highlighted.) This is good, because we need to work with it for the next few steps. Make sure that it stays selected.

Change the Image Opacity

We're going to use the Design Example to get the placement right, but it would be easier if we could see through the picture we just placed there..

Fortunately, we can. At the top of the Layer palette, you'll see a line that says Opacity, next to a text box. If you're using PS CS2, just place your cursor on the word, and drag to the left to decrease the opacity interactively. If you're using an older version of Photoshop, or if you prefer, you can type a new opacity into that field. I recommend between 60% and 70%. If you're typing, tap the Enter key when you're done. (That frees the keyboard, so you can use keyboard shortcuts.)

Move the image into position

With the new layer (Layer 1) still selected, tap the V key, to get the Move tool (or select it from the toolbar,) click anywhere on the image, and drag it into position in the middle of the shirt, over the harp.

Resize the image, if necessary

Okay, the placement looks good, but it's too big. We need to change that. (Yours might fit, and if it does, you can skip this step.)

Tap the T key, to move into Free Transform mode. (Or choose Edit > Free Transform from the menus.) Now, hold down the Shift key, to constrain resizing to proportional only, and the Option/alt key, to resize from the middle. Click one of the corner handles, and drag inwards, towards the center of the picture, to shrink it.

(Drag outwards, of course, if it's too small, and you want to enlarge it.)

When you are happy with the size, just double-click inside the bounding rectangle to accept it. (Or tap the Enter key twice.)

Adjust the placement with the Move tool, if necessary (V, remember.)

Now, if you are happy with it this way, you can just change the Opacity back to 100% (the quick way is to tap 0 (zero) on your keyboard or numeric key pad,) click the Eye icon next to the Design Example layer, (to hide it,) and skip to the next page.

But I'm going to do a little more with it, just to show you what is possible.

First, I'm going to make the picture round, not square.

Select the Elliptical Marquee tool

Click and hold on the Marquee tool, in the top left corner of the Toolbar, until the pop-out menu flies out. Then choose Elliptical Marquee Tool from the menu. (Or tap M to choose the Marquee tool, and Shift-M to choose the next tool in that flyout menu. When you see the Elliptical Marquee in the toolbox, you've got the right one.)

Draw a marquee over your design

Click where you want the center of the circle to be, hold down the Shift key, to constrain the marquee to a circle (otherwise, it makes all kinds of ovals,) and the Option/alt key, to make a marquee from the middle (notice a pattern here?) and drag the marquee out, until it's roughly the same size as the circle around the harp.

If it's not centered, it's no problem. Switch fingers on the Shift key, reach over with your index finger, and hold down the Spacebar too, and you can slide the marquee anywhere you want it while you are still sizing it. (Yeah, it's a little tricky to do, but well worth the effort of learning. If you drop a key it's no problem, as long as the mouse button is still held down. Just depress the keys again, and the marquee will spring back into shape.)

When you have it the way you want it, let go of the mouse button. That will accept the circle. (If you still need to tweak it, you can move it by just dragging with the Marquee tool, or change it in other ways by choosing Select > Transform Selection from the menus.)

Click the Make Mask icon, to make a mask

Now, click the Make Mask button, at the bottom of the Layer palette. It's the one that looks like a square with a circle in the middle of it.) You'll see that the edges of the image disappear. They are still there, but now they are hidden, or masked.

You'll also see another thumbnail in the Layer palette, next to the image thumbnail. This one is black, with a white area where the image is. This is the Mask thumbnail.

Tap 0, to make the layer opaque, and reposition it with the Move tool if desired. (The Image and Mask are linked, as shown by the little chain icon between them; so when you move one, the other will move as well.)

Add a Layer Style

Click the Eye icon for the Design Example layer, to hide that layer (and get rid of the harp.)

Now, let's add a layer style to the image, to give it a little snap.

Either double click on the layer itself, or click the F (Effects) icon at the bottom of the layers palette, and choose a layer style. Either one will open the Layer Style dialog. (The difference is that if you do it through the icon, it will open to a Style, otherwise it won't. Personally, I find it easier to just double click on the layer.)

Choose a style by clicking on its name on the left side of the palette. When you do, the options for that style will fill the dialog. If you have the Preview enabled (on the right side of the dialog,) you can see the results of the style as you play with the settings.

I'm using both a Stroke and a Drop Shadow. I'll just keep the defaults for the Stroke. For the Drop Shadow, I'm going to use the settings shown here.

Let's move on to Page 2, and we'll finish up.

This page is part of a 2 part tutorial. Feel free to print this information, and use it for your self; however, if you want to distribute it, use it for a class, or make it part of a CD or other course, please write to me for permission.

If you would like to see the other tutorials in this series, click here.